Guns of Palo Alto

10/10/11

I’ve always been an adrenaline junky.

1972 – I am 13.  I found my brother’s snub nosed Smith & Wesson .38 Chiefs Special.  I unload it and replace one cartridge then spin the cylinder.

I pull back the hammer.

I’m a pussy, so I look to where the shell is in rotation.  I put the gun to my head and pull the trigger.  Snap!  Case-hardened steel hits an empty chamber.

I spin the cylinder again.  Snap!

And again.  Snap!  Snap!  Russian roulette is dull if you know where the bullet is.  I’m not nuts enough to play it any other way.  I’m not suicidal.  I’m bored.  Through sheer gauze curtains I look out on Hamilton Avenue.  Palo Alto is suburbia to the tenth power.  A teen rides down the street.  I track him with the revolver nestled in the crook of my arm, like some TV cop.   I pull the trigger and make a bang with my mouth.  I pull the trigger again.  The roar is deafening.  Flame shoots from the barrel singeing a hole in the curtain.  The window pane explodes out.  Where the bullet lands is anyone’s guess.  But the kid on the bike rides on, unaware of how close he came to a real bad day.  The crook of my arm is bleeding from the nick the bullet left exiting the barrel.  The powder burn leaves flecks imbedded in my flesh.  They will scar for life.

1974 – Kool and Gang’s Jungle Boogie thumps.  I am 15.  It’s Saturday night.  My 17 year old brother Lark and me are running My-O-My, a teen disco.  It attracts a largely Black crowd into lilly White Palo Alto.  Lark is working bounce.  Moms is behind him at the front door.  A candy red dropped Chevelle stops in the middle of the street and a cat in his early twenties gets out of the passenger seat and moves with intention toward the door.  He’s street hard, prison buff.

“Sorry sir, no one over eighteen allowed.”  Lark’s voice is flat.

“Fuck it.”  The man pushes.  Lark stumbles back, but doesn’t fall.  He squares himself and moves in, his hands are in fists.  He can sense how this will go down.

“Motherfucker, white boy please.  Get the fuck-”  The man cocks his arm.

“Stop it this mo-”  Moms steps between them.  The guy’s fist is already flying.  It connects with a five foot nothing older white woman.  She recoils back into Lark, moaning.  Her arm hangs limp.  The guy susses the situation.  He just hit a white woman in Palo Alto.  Instantly he is back in the Chevelle and gone.

 

The cops are called.  The club is shut down for the night.  Some of the rougher kids are pissed.  They all want their money back, even the ones I know snuck in the back door.  Seeing Moms get hit hasn’t put Lark in a forgiving mood.  He’s barking.  Snapping.  Paul our friend and sound tech takes Lark into the office for some strong rum therapy.

 

Lark, Paul and me all go to the hospital.  Moms shoulder is dislocated.  She has a spreading hematoma in the shape of a fist.  Lark stares at the bruise.  We get Moms home and in bed, loaded up on Vicodin for her pain.  We each borrow two for our pain.  You can tell a good drug one of two ways, you have the doctor’s Drug Reference Guide, or you read the label, Vicodin take 1 every 4 hours for pain.  Do not take with alcohol.  Do not operate heavy equipment.  Bingo!  We chase the pills with rum.  Not an MD in the group, but we know our medicine.

 

“They can’t skate on this little brother.”

“No, they can’t.”

“Cops won’t find them.”

“Cops won’t try.  They think it’s our own fault for bringing Bloods into their city.”

“Then it’s on us.”  I have no idea what he means.  I doesn’t matter.  I’m down.

 

Affluent Palo Alto is separated from ghetto East Palo Alto by the Bayshore freeway.

On our radio Curtis Mayfield sings Freddy’s Dead.  The Firebird moves like a predator.   Paul is riding shotgun.  Behind him, I am loading my .44 with homemade hollow points.  He looks back, fear in his eyes.  He sacks up and keeps it to himself.

“There they are.”  I look up and across the street to Speedy Liquors.

“You sure that’s them?”  Lark is the only one who saw their faces.

“It’s their car.”

Lark pulls into the parking lot.  His headlights sweep across four hard men.  He parks the car so that the passenger window faces them.

“Josh, one thing.”

“Yeah?”

“Don’t hit me.”  He winks.  We are running on the perfect combination of Bacardi, Vicodin and adrenaline.  I watch Lark move around the hood of the car.  The men are smoking and drinking forties.

“Paul, roll that window down, now and get on the floor.”  He doesn’t ask why, we are traveling way outside his four dots.  I cock the revolver.  I lock in on the men.  The tall one in the middle is clearly the alpha.  He goes first.  I am rationally deciding who I will shoot and in what order.  Lark is careful not to put his body between me and them.

Lark is speaking to them.  I can’t hear them over KSOL, The O’Jays are playing in every car that passes.

 

Lark turns and walks back to the Firebird.  I don’t let my focus leave the men until we’re rolling.  “Wasn’t him.”

“You sure?”

“Said it didn’t I?”

We cruise East Palo Alto for two more hours and never see the guy.  I have no proof, but I suspect the guy in front of the liquor store was the man who hit Moms.  I don’t ask Lark.  He doesn’t offer.

In bed that night I fall apart.  All the fear floods into my head.  Tears run down my face.  Somewhere inside I am broken.  Not a moral man.  My father and other Quakers went to jail defending nonviolence.  My grandfather was proud to have never discharged his service revolver.  Me, I’m in a car calmly planning who’s life to end first.  I am afraid of what I am capable of.   Afraid of arming the beast.  Afraid I won’t need the beast to act with dark intention.

~ fin ~

Josh Stallings is your average ex-criminal, ex-taxi driver, ex-club bouncer, film making, script writing, award winning trailer editing, punk. Over his time in Hollywood he wrote and edited the feature film ‘The Ice Runner’, a Russian/American co-production. ‘Kinda Cute for a White-Boy’ an independent feature he directed and co-wrote with novelist Tad Williams, won best picture at the Savannah International Film Festival. He writes gritty hard edged prose in a strong highly readable narrative voice. His first novel ‘Beautiful, Naked & Dead’, published March 2011, is garnering great notice from readers and reviewers alike. Its sequel, ‘Out There Bad’, was published three months later to equally stunning reviews.  His is busy no working on “One More Body” Moses #3 and a Noir Memoir. He lives in Los Angeles with his wife Erika, his Tea-cup mastiff Cosmo, Lucy the lab pit mix and Riddle the cat.

Short and sweet. He's got it right! I was there. His MOM
Delphijane
October 20, 2011
[...] Guns of Palo Alto by Josh Stallings, Shotgun Honey  [...]
Fiction Weekly (October 14)  | Full-Stop.net
October 14, 2011
Wonderfully done!
Patti Abbott
October 12, 2011
Thank you Shotgunners for publishing this piece of my past. And thank you fine readers for all the kind words.
Josh Stallings
October 11, 2011
Time, place, compelling character and a shitload of emotional context.
Pamila Payne
October 11, 2011
Glad you didn't waste the guy, Josh. Punk who would hit a woman ain't worth doing the time for. And, by the way, your little voice is dead wrong. Ignore it.
AJ Hayes
October 10, 2011
Wow Josh! Thank you for taking me back to the days of My-O-My! So much of my life began there in so many ways - you, your brother, sister and mother were freaking amazing, creating a place that was like no other. I am so thrilled to find you are an author now, I will definitely be reading your works! Good luck to you and I can't wait to read more of your works!
wendy wiebenson
October 10, 2011
loads of atmosphere and not a wasted word. really impressive.
eva dolan
October 10, 2011
Good stuff Josh, dark and deep. Liked it tons ;)
Julia Madeleine
October 10, 2011
A great tale made all the more chilling because it is real.
John Kenyon
October 10, 2011
Splendid. Great atmosphere, fierce experience.
Matthew C Funk
October 10, 2011
Wow! Glad I rarely rode my bike down Hamilton! Looking back to the 70's we barely had enough judgement to survive...but, I'm glad we did!
Charlotte Ersted
October 10, 2011
Now I know why you looked at me the way you did in St. Louis when you had to leave me behind in the waiting room to get your x-ray. You know the bad ones when you see them, don't ya? Thanks for another look into you childhood. Love ya, friend.
Sabrina Ogden
October 10, 2011
This has what I can only describe as "flavor." Nice!
C.J. Edwards
October 10, 2011
Hardcore tale-telling, Josh.
Chad Rohrbacher
October 10, 2011
Noir memoir. I like it. I like it a lot.
Mike Miner
October 10, 2011
Another chunk of truth hacked from the bone... messy and all too real. Josh never disappoints.
Thomas Pluck
October 10, 2011
Another great episode Josh - keep them coming. Raw and real...
Fiona Johnson
October 10, 2011
Great to see Josh Stallings over here.
Paul D Brazill
October 10, 2011

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