The Day Traders

12/05/11

 

THE HISTORY CLASS:

Craziest thing I have ever seen. SWAT ghosting down the hall. Six of them. Body armor. Machine guns. Cop holds up a finger to his lips and signals for me to keep quiet.

I’m huddled in a corner, hiding under a water fountain. Lockers to my left. Classrooms to my right. Heard screams and gun shots for the past half hour.

Sirens. Alarms.

And I know what they’re going to ask me once they kill him.

Yeah, I knew the dude.

He was my friend. But I never thought he was serious.

Until now.

 

THE LAYOFF:

My wife is screaming.

So is my baby boy.

They’re in the front yard.

So are the police.

I grin.

Raise my pistol.

And kiss my ass goodbye.

 

THE FORECLOSURE:

Idling.

Nobody has noticed. Parked half an hour and nobody has noticed. Imagine that?

Busy Christmas shopping I suppose. Slush is falling.

People have a tendency to look down in weather like that.

Loaded five magazines. Watching folks come and go.

Imagine that?

Wife died while I was looking for work.

These fancy people don’t know what’s coming.

It’ll be hard and fast when I make my peace with the world.

~ fin ~

Peter Farris is a graduate of Yale University. His debut novel will be published by Tom Doherty Associates/Forge Books next winter. “Disney Noir” was his first attempt at flash fiction. He keeps a presence on the web at The Sentence Salvo.

Spare, raw, and fantastic.  I loved the raw power of these small (but big pieces).  They hid themselves and then got right to the punch, each one a knockout.  Great stuff.
Randy Spears
December 14, 2011
Great work here, Peter. Love Pettibon's work, and these are evocative of his best: jagged lines, no extraneous noise and hard-hitting. Somebody's been studying their Blag Flag album covers...
John Kenyon
December 07, 2011
hard and lean like a used a whore...solid punch, strong prose. how it stings: we're all fucked...
December 06, 2011
Superb. Loved these.
Nick Boldock
December 06, 2011
The mini-flashes are hard to do fun. Gotta have the tight control of poetry to keep the feel of noir. These are examples of how you do it perfectly.
AJ Hayes
December 05, 2011
Spare and bleak.  It is like poetry because you have to sit with each piece for a bit and let it sink in.
Chuck Caruso
December 05, 2011
Crikey, plain speaking, well written and pain coming through as clear as a bell.
Cadfael88
December 05, 2011
That's some hardboiled poetry right there. Well done.
Chris Rhatigan
December 05, 2011
stripped to the bone but with so much between the lines.  beautifully done.
eva dolan
December 05, 2011
Doesn't get much sparer.  Or better.
Mike Miner
December 05, 2011
I like Pettibon. You tapped into the minimalist aesthetic and the anarchic nature of his work very well. Love it. Can't wait for LAST CALL FOR THE LIVING
Benoît Lelièvre
December 05, 2011
Cut to the bone, the times laid bare. Nice, Peter.
Thomas Pluck
December 05, 2011
[...] pieces from Peter Farris.  Last month, Pete sent over a submission with the pieces that make up The Day Traders, saying he’d been inspired to do these ultra short stories by the art of Raymond [...]
Shotgun Honey: A Triple Shot from Peter Farris « Kent Gowran
December 05, 2011

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