Solar Graffiti

01/14/13

“This shit’s getting old. As soon as I get this money I’m bouncing.” John said, blotting the sweat from his cornrows as the southern sun scrawled across the sky like solar graffiti.

“It’s done been old, boo.” Juanita replied, wiping down her side of the car at the carwash where they worked in Greenville, South Carolina. She dredged the towel slow and methodical, a slight tremble to her hands, as dark and leathery as an old family bible. “And John, when you’re done with that side do the tires.” She stood up and noticed he was gone.

She had the tired and eternal weariness that only the Sun and the stars and ancient things knew.

Since six years old Juanita had worked the share cropper fields, plucked potatoes from dirt and converted them to moonshine to sell. And now nearing sixty, she was forty years deep at the carwash. She had seen the civil rights movement tidal in, and crack apart in the eighties.

She had borne witness to the sit in at Woolworth‘s, local leader Jesse Jackson’s rise to the national stage, and yet the cars still flowed in, cars she’d never drive, going places she’d never see. But most of all she watched generations of children rise and fall, born and buried beneath that southern sun.

After a half-hour, Juanita’s nineteen year-old trainee John returned cloaked in cannabis smoke, enraged. Smoking up had done little to quell his anger. This summer alone, three of her trainees at the carwash had been arrested, two had been shot, not all of them black, but all of them young men with a fever in their hearts.

“That motherfucker,” John sniped, furiously wiping down the wet car with a rag, kicking the supply cart. His eyes narrowed on an idling Coupe de Ville on the corner.

Juanita sighed, and continued to dry her side. “Now calm down sugah before you get too worked up.”

Like a train engine ignoring a gnat, he hammered on. “These motherfuckers be tripping, saying I owe them money. Nah, fuck that and fuck them, they be the ones that shorted me.” He slid his red shirt up to reveal a 9mm. “I always keep it trill.”

Juanita closed her eyes, whispered a prayer to the Lord to guide John’s heart, and wiped the sweat from her brow.

“Now we ain’t need none of that foolishness, it ain’t worth it.”

The summer sun poured down like rum, brains fried, sweat bulbed up from scorched black skin, stinging eyes, and the cars continued to tidal in. Thrice now, to John’s ire, the same candy-painted Coupe de Ville with tinted windows had circled.

“Just let it go,” Juanita soothed.

To Juanita’s frustration the carwash had become a smuggling station for firearms and narcotics.  Cars were driven in with products stashed under seats, and the products swapped for cash by a worker. It moved as precise as celestial bodies in the night sky. Until earlier that day when a kilo of cocaine came up light and accusations swarmed around John. The system had broken.

And so had Johns patience, he hurled a bucket against a wall, soap and sponges spinning in the air. He bounded in the direction of the idling car. The Coupe de Ville roared up. Back window open. A kid flashed a Glock out the window, taunting John from behind a shroud of weed smoke.

John, defiant, raised his arms up and stepped towards the vehicle. Before his confidence could shift, percussive pops and rising smoke filled the air. The first bullet struck his artery. The second bullet broke his movement as effortlessly as an autumn wind snaps a leaf from a tree.

John’s body twitched in mid-stance, and collapsed. Juanita barreled over as fast as her arthritic knees could carry her, screaming for help. The Coupe de Ville was already around the block before she had made it to John.

As the sound of distant sirens warped the air Juanita knelt there, staring at John’s body, now hollowed of soul with blood spreading from his back like wings.

~ fin ~

isaackirkman

Mystic, Servant of the Most High, founding member of the Low Writers Collective, 1/5th of Zelmer Pulp, and a member of The Southern Collective Experience, and The Last Ancients. Isaac Kirkman was born in Greenville, SC, and currently resides in Arizona. He is a student at the Tucson Branch of The Philip Schultz founded Writers Studio.

His work has been published in Thuglit, Out of the Gutter, Shotgun Honey, Zelmer Pulp, Menacing Hedge, Apeiron Review, Counterexample Poetics, (w/Jamez Chang)and The Dead Mule School of Southern Literature.

He is known for his highly-lyrical, social-conscious, Chillwave/Dreampop style crime fiction dubbed Holy Noir.

Thanks Clark!!
Isaac Kirkman
March 31, 2013
Really good.
Clark Lohr
March 13, 2013
Very kind Paul. Thank you. Great streak of writing for you man!
Isaac Kirkman
January 18, 2013
Thank you R.J. I appreciate it!
Isaac Kirkman
January 18, 2013
I've been falling behind on keeping up with Shotgun Honey stories but I sure am glad that I went back and caught this one. Great story of different generations. Compact, beautiful, and horrifying, too.
R.J. Spears
January 18, 2013
Beautiful.
Paul Greenberg
January 17, 2013
Thank you Chris. Looking forward to breaking bread with you this year!
Isaac Kirkman
January 16, 2013
Good shit, Issac!
CS DeWildt
January 16, 2013
Thank you, Thank you Chuck! I appreciate it!
Isaac Kirkman
January 16, 2013
It's like I just saw it happen. Well told, Isaac!
Chuck Regan
January 16, 2013
Profoundly moving. Its a heart breaking statistic, and one that eats at me, and motivates my writing. Often I wish their was more I can do more than writing. It is frustrating. Thank you for sharing and than you for your words.
Isaac Kirkman
January 15, 2013
Back when I worked LA, I knew a cop who worked in South Central. I asked him what that was like. He looked at me and shrugged. Pointed at a crowd of kids playing on an elementary school playground up the block and said, "See those kids up there? This place will kill 40 percent of them before they're 21. And I know there's not one damn thing i can ever do about that." I remember what his voice sounded like. The way his eyes looked. It's been forty years and nothing's changed. We need to be reminded of that. Thank you.
bhayes2
January 15, 2013
Thank you man, I have a a lot of respect for your work, and enjoy our twitter dialog. Look forward to more work of yours!
Isaac Kirkman
January 14, 2013
It all comes down to that last line. For me it's the measure of a great story. And let me tell you, Isaac––this is a great one. Glad to find you here among so many talented writers.
Dyer Wilk
January 14, 2013
Thank you Bill! I hope it's not getting to cold for you and the fam!!
Isaac Kirkman
January 14, 2013
Issac, that was beautiflly done, a tale of a sad, violent death and how it impacted someone's soul. Full of poetic images. great stuff!!
Bill Baber
January 14, 2013
Thank you. Amazingly kind Bruce. All blessings to you and your craft!
Isaac Kirkman
January 14, 2013
One helluva way to start the week. Full of everything we come to Shotgun Honey for. You captured their bleak situation perfectly. If Ron, Jen, and Joe ever do a "Best Of," this one is in.
Bruce Harris
January 14, 2013
Thank you man, I appreciate it. Good luck to you!!
Isaac Kirkman
January 14, 2013
That was haunting and powerful. Loved it.
byRichard
January 14, 2013
Thank you Champ! Low Writers. Your turn to bat!!
Isaac Kirkman
January 14, 2013
I will never go to a car wash without checking under the seat ever again. My favorite line: "The second bullet broke his movement as effortlessly as an autumn wind snaps a leaf from a tree." I agree with the other comments, rich imagery, a new perspective of unseen worlds through the weary eyes of a trapped soul. Well done slugger!!!!
Lilian Kooyman
January 14, 2013
Thank you Brian, It means a lot. I try to bring heart to it. It's a sad struggle that I wish would get better.
Isaac Kirkman
January 14, 2013
Isaac my man, I see this shit all the time from a distance. It's so easy to write off the "John's" and the black on black violence as business as usual, but hardly ever do we see the heartbreak and the hopeless frustration of the "Jaunitas" who can't escape it. It takes a keen eye to make that the focus. Thank you for this. Or... You're so f*$king bad ass!!!!
Brian Panowich
January 14, 2013
Thank you! Beautiful comment Chris. ZELMER!
Isaac Kirkman
January 14, 2013
Rich texture and prose that soars like an eagle riding the thermals of a July afternoon. Thank you Isaac, you just made my day.
Chris Leek
January 14, 2013
Wow. That means a lot man! Thank you!
Isaac Kirkman
January 14, 2013
Thank you Paul! Hope all is well in Poland!
Isaac Kirkman
January 14, 2013
Holy shit Isaac. That was awesome. You really amaze me at how you are able to capture so much story in so few words. You really do it every time. I've read novels that don't capture as much imagery and feeling as you can in a singe page. Well done my friend. I can't wait for the next one
Joshua Lowe
January 14, 2013
Wonderfully rich writing.
Paul D. Brazill
January 14, 2013
Thank you Mike. She is a collage of several strong black women who have guided me in my life.
Isaac Kirkman
January 14, 2013
Nice writing and I think in Juanita you found a perfect witness for the action of this piece. "It's done been old..." Great line but seeing it through Juanita's eyes makes it new.
Mike Miner
January 14, 2013
Thank you for your friendship and support! To Infinity and Beyond!
Isaac Kirkman
January 14, 2013
Thank you Erik. Dig your birthday twin Paranoid crushing love story piece! Cheers!
Isaac Kirkman
January 14, 2013
This thing charges right through, vivid, transcendent imagery and wonderful prose all the way. It's what we've come to expect from you, Isaac. Your narrative voice finds inlets to our souls and speaks to us that way.
Ryan Sayles
January 14, 2013
This is full of lovely imagery, Isaac, really well done. I particularly loved the phrase "hollowed of soul."
Erik Arneson
January 14, 2013
Thank you Mike!
Isaac Kirkman
January 14, 2013
New genre: Mystic Noir. I love it.
Mike Monson
January 14, 2013

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